![]() These are the remixes many DJs make on their own, without permission from any of the original copyright holders. The hardest part of learning how to remix songs legally is learning to safely navigate the world of bootleg remixes. (If you are planning on participating in some sort of royalty sharing agreement, however, make sure you’re registered with all of the appropriate performance rights organizations to ensure you’ll be able to collect the royalties that are owed to you). This usually makes everything easier for all parties involved, as splitting several different royalty streams three or more ways can be an accounting nightmare. In order to simply things, many artists or labels will simply pay DJs a flat fee up front in exchange for creating the remix. When you record a remix, you’re usually involving at least three different rights holders – the owner of the master recording, the owner of the publishing side of the recording, and yourself. ![]() What constitutes an “official” remix? Usually this means either the artist or label has directly contacted you and asked you to remix a song they own, or you’re participating in some sort of remix contest where the owner of the original work has released stems online and asked people to submit their own remixes.Īs long as you’re creating an official remix, the likelihood of you running into legal trouble is pretty slim (although it’s always good to keep a written record of any communication about the agreement, just in case.) Where official remixes get more tricky, however, is in determining who will hold the copyright to the derivative work that you create. Because of this, official remixes are much easier to pull off legally than unofficial or “bootleg” remixes. In order to record a derivative work, you technically need to obtain permission from the rights holders of the original work – namely the artist or label who owns the master recording, as well as whoever owns the publishing side of the song (usually a publishing company, or in some cases, the artist themselves). ![]() ![]() ![]() In essence, you’re combining two legal entities – the original song and your new, remixed version – to create a sort of hybrid entity called a derivative work. When you make a remix, you’re not creating an entirely new work, since you’re basing it off previously recorded material, and you’re not creating a cover version either, since remixing implies that you’ll fundamentally change the way the original song sounds. Why? When you create a remix, you’re creating what’s legally called a “derivative work.” We all have an obligation when we use music for anything other than listening to it by ourselves for enjoyment.Ĭreating a remix is a much more complex legal issue than simply using a sample in one of your songs. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |